"When you drive a sports car off the train, the trailer and the train are relatively stationary, and the sports car and the train are also relatively stationary. The two transformations of transportation, one in and one out, can complete the train scene.

…

At the end of the scene, the bridge has two arched guardrails next to it, forming a situation that has the characteristics of both a tunnel and a bridge. The protagonist jumps from the train, and then dives, in just a few seconds.

It can almost complete the dual behaviors of escaping from the tunnel and diving to escape danger at the same time.”

Although it was delayed for a few days, Sun Hao still explained clearly to Ke Shouliang and others his thoughts and his action design again without any rush.

For this reason, Sun Hao even helped them find a Hollywood special effects team to shoot this important scene together.

Don’t be convinced, in terms of speeding car special effects, the Hollywood team is really much more mature than Ke Shouliang’s team.

When colleagues in Hollywood watched some footage that the crew had shot a few days ago, they immediately found the crux of the problem.

"Um...director, how about we do this?

We shoot most of the shots in real time, but for many high-speed shots, we can shoot them at low speeds and then synthesize them with post-production effects.

Among them, in order to increase the impact of speed on the eyeballs of movie viewers, we can also use a large number of main-angle lenses to complete the shooting when shooting..."

…

"action!"

The conductor in uniform opened the door of the train carriage. Ma Yanli, who was sitting on the seat, tilted her head slightly, and then smiled at Deng Chao opposite:

"bring it on!

The show is about to begin."

After saying that, Ma Yanli stood up first, turned around, and walked towards the uniformed conductor with her long legs.

"Um…"

Deng Chao smiled and nodded, then hurriedly followed.

"ah…"

Perhaps because she was walking too fast, Ma Yanli bumped into the oncoming conductor, so she grabbed his arm and apologized hastily:

"I'm sorry, I was too anxious!"

"Haha, it's okay."

The conductor smiled and waved his hand.

While the two were talking, Deng Chao, who was behind the conductor, got his hands on it and copied the door card on the next car.

…

"Okay, passed, next scene!"

Sun Hao stood up from behind the director's monitor, took off his radio headphones, and then shook the walkie-talkie in his hand.

In fact, these scenes were filmed on the first day the crew arrived in the town, but Sun Hao decided to film them again.

It's not because there was a problem with the previous shooting materials, but because it was to allow the actors to get into the roles better. After all, the filming in the first five or six days was not going well, which had already tortured everyone to the point of exhaustion.

"action!"

Opening the door, Deng Chao saw three super sports cars parked quietly in the carriage.

"Hi, Boss Tang?"

At this time, Deng Chao took out his mobile phone from his hip pocket and made a call.

"We found something!

It’s in the penultimate carriage of the train.”

"Bang..."

Ma Yanli wrapped her fist with a cloth... until she felt it was okay, then she smashed her fist on the glass inside the train carriage, and hanging inside the glass were the keys to three super sports cars.

…

"Okay, passed, next scene!"

After Sun Hao finished speaking, the train used by the crew for filming slowly stopped, and then the helicopter rented by the crew quickly rose outside the train carriage. Photographer Zhao Xiaoding, who was wearing a safety belt, squatted at the hatch of the helicopter, holding the camera.

Photographed below…

Ning Hao, who was also wearing a safety rope, was sitting in the trunk of an off-road vehicle on the ground. The trunk door was open for him to hold the camera and shoot from behind.

"action!"

In the distance, a tattered truck drove over from a distance. The friction between the tires and the ground stirred up bursts of dust in the desert.

Bang…

Very loud!

The cart jumped high and then hit the ground heavily.

"Hi…"

The cell phone in his pocket rang, and the bald-looking Jiang Wu shouted into the phone:

"explain!

Come on, we'll be there soon."

…………

With scientific shooting methods, the shooting speed of "Fast and Furious 2" immediately changed dramatically.

Originally, the shot that could be shot in one day but with terrible results was now perfectly shot in four hours, and the effect is still great!

The only pitfall is that the special effects teams in Hollywood are too particular about rules. If they say they will work for eight hours, they will work for eight hours. Once the eight hours are up, they will just put down their work and leave, regardless of whether the crew has completed the shots.

Photography.

Fortunately, at this time, Ke Shouliang's team will immediately take over.

………

In this way, on July 8, 2003, "Fast and Furious 2" finally ushered in its last scene, [Speed ​​Car, Jump into the River].

Since jumping into the river was not possible, the filming location was moved from the desert town of Rice, California to Time Warner's photography base.

In the Bambook area of ​​Los Angeles, there is a "factory area" covering an area of ​​445,000 square meters. Closed "factories" are arranged in an orderly manner. Trucks and shuttles equipped with large-scale photography equipment come and go. This area

The "factory area" is the Time Warner studio, the warehouse-style "factory" is called the "studio", and the approximately 80,000-square-meter block with simulated city scenery is called the "cinema".

In the film capital of Los Angeles, every major studio owns such a large area. Universal Studios even has a tourist attraction called Universal Studios, which has brought them huge tourism benefits, but Warner Bros.

The factory is not directly open to tourists.

"Hello, Director Sun!"

The person who came to greet the crew of "Fast and Furious 2" was Scott Bender, a staff member of Warner's external relations department. Obviously, Time Warner did not pay attention because Sun Hao was about to start filming the company's highlight film "Batman III" next year.

"Part", and had special care for him.

If you want to use our company's studio, then rent it at the normal price, with no special care or discounts.

Of course, this is also very suitable for Sun Hao's taste.

If you come to greet me with a large group of company executives, I really don’t know whether you should film the movie first or entertain you CEO, coo, cfo first...

Under the guidance of Scott Bender, the crew walked into Studio 4 and immediately started setting up the shooting scene.

In fact, the filming scene for the last scene was very simple. It was a 25-ton crane hoisting a silver supercar high, with Jiang Wu and Deng Chao standing on the roof, and then surrounded by a green screen.

"Sun..."

"Um?"

Just as Sun Hao was watching the crew setting up the shooting scene, he had been in the United States for more than ten days and finally met his partner, the old gangster Harvey Weinstein.

"Sun, do you miss me?"

Regardless of whether Sun Haole was happy or not, Harvey Weinstein ran over and gave him a big bear hug.

"No!"

Sun Hao stretched out his arms and opened this man's arms.

"Well…"

Harvey Weinstein obviously didn't expect that Sun Hao's movements were so neat. He wanted to pat his back and kiss the little guy's cheek, but he didn't expect that his arms would be separated involuntarily.

"Mr. Harvey, what are you so happy about? Did you find the money?"

"Of course I found the money!"

Harvey Weinstein was so excited that he danced when he mentioned this.

"Sun, the shooting cost was negligible, and the distribution cost of "The Man from the Earth" was US$15 million. It exploded. It exploded.

In two and a half days, the North American box office of this movie exceeded 19 million US dollars, and the global movie box office reached a terrifying US$31 million.

You guys are so awesome, hahaha..."
Chapter completed!