"Does this lens need to be used to the end?" Yu Qingqing murmured to herself, a hint of confusion appeared on her face.

Although her husband Liu Dong is far less famous than Django, she still has the ability. After listening to it, she has learned a little bit about the shooting.

One shot is a common shooting technique in film and television dramas, which is a "long shot" of one shot to the end.

In her opinion, using a single camera is a very high-end skill, but the premise is that it must be used well, otherwise it will be a superfluous one.

This sentence penetrated into the ears of several actors around him. Zhang Tiegang, who also had director status, smiled slightly and said: "There are more than a dozen actors under this camera. They have their own ulterior motives at the birthday party. To show the thoughts of each character to the audience, it is particularly important to capture facial expressions..."

Seeing that he began to analyze, the few people raised their ears one after another.

Zhang Tiegang tried to figure out Django's ideas and said freely: "The main advantage of a single shot is that it can make the film and television dramas feel very strongly immersive. Because there is no constant switching between cumbersome shots, you can see each character more directly and realistically responding to the events when they happen. The audience seems to have a member of this birthday party and watch it from a first-person perspective."

After hearing this, the few people turned to the venue and passed the shot with the No. 1 camera.

As Zhang Tiegang said, one camera has a stronger sense of immersion than one by one to give close-up shots.

At this moment, a hint of admiration flashed in their eyes. It seemed that Django had real materials and the director was not a name.

"Crack, very good. Next, the second camera position is taken from the front, and the first camera position is taken from the side to the close-up of her face..."

After Django instructed the photographer in charge of No. 1 and No. 2, he said to the photographer in charge of No. 3: "When Yang Yi sat down and finished speaking, the No. 3 camera will give Gu Yao a close-up of his face from 75 degrees to the right."

Yang Yi is an actor who plays "Ming Yu".

Everyone nodded. After each group was ready, they continued to shoot the camera just now.

Yang Yi sat down in front of the guqin, with a calm expression, nodded slightly, and said softly: "I offer a song of phoenixes and phoenixes, please taste it."

When Gu Yao heard the name of the song, her expression suddenly froze and her eyes slowly moved from top to bottom.

Yang Yi is a new actress, only 21 years old, has a good appearance, and can use micro-expressions and lines. The key is that she has practiced Guzheng and Taekwondo, which is very useful.

Because Gong Yu is the top brand in Miaoyinfang, Luoshi City, and is also a secret spy under Mei Changsu. He is very skilled in martial arts, beautiful as a flower, and proficient in music.

If an actor knows nothing, he needs to be a martial arts substitute when fighting, play the piano with his hands, and post-dubbing lines, so what else can he do?

However, Django, who was staring at the monitor, seemed to have a different view, and after a moment he shouted: "Click!"

The sudden interruption stunned everyone on the set. The scenes, whether it was Yang Yi or Gu Yao, were all very well-acted. There was no problem at all. Why did Django shout "Crack"?

"What's wrong?"

Yu Qingqing, who had been watching, subconsciously blurted out.

The people next to him didn't understand why, and then looked at Zhang Tiegang at the same time. He had the most say here, but he shook his head and said, "I don't know, I personally think they are fine."

Yang Yi felt uneasy and thought it was her own problem, but her expressions, actions and lines were performed according to the script.

Gu Yao was also confused. What would happen if the three shots combined together for more than ten seconds?

At this moment, the person involved, Django, spoke and said, "Where is the lighting maker, come here!"

The lighting technician, who had originally looked relaxed, suddenly felt a sudden slap in his heart.

this……

I saw myself watching the show.

He hurried over and heard Django say, "Adjust Gu Yao's lamp, put the first lamp at 110 degrees on the left side of the central axis, put the second lamp at a higher position 45 degrees on the left side of the central axis, and put the third lamp at the right side of the central axis."

After remembering the lighting engineer, he said, "Okay."

When he adjusted the position of the light, Yu Qingqing couldn't help asking Zhang Tiegang: "Teacher Tiegang, what is the purpose of Mr. Jiang doing this?"

Zhang Tiegang analyzed: "The first light is used to illuminate the contours of Gu Yao's face, nose bridge and lips on the right side; the second light is illuminated from the diagonal top to illuminate the triangular area of ​​Gu Yao's cheeks and add eye light; the third light is used to fill the light on Gu Yao's left face, neck, clothes and other positions."

After hearing this, everyone understood the role of the three lights, but I don’t know what this has to do with shooting.

Zhang Tiegang saw them seemingly understandable, so he said: "In filming, light is one of the most common methods to reveal the emotions of the characters. The joys, sorrows, sorrows, sorrows, and sorrows of the characters are all created by the use of light. For example, in this scene, Gong Yu knew that it was very dangerous and was almost assassinated by Xie Yu. For the sake of her father's hatred and Mei Changsu, she was not afraid and deliberately played "Phoenix Seeking the Phoenix" with Princess Liyang's banana tail zither. Princess Liyang himself understands the rhythm and knows that this is a love song. The Banana tail zither was given by Yu Wenlin, the host of Nanchu, who was first in love with Nanchu. Later, she was separated and thought of people after seeing things..."

Speaking of this, he deliberately paused, his eyes showed no concealment of appreciation, and continued: "Then, Director Jiang adjusted the position of the lamp, and used Gu Yao's facial expression to show Princess Liyang's complex mood in several levels. This method makes this shot have more narrative space, imagination space and aesthetic space outside the original plot core, and the audience will naturally know the meaning of the story from the atmosphere of the picture."

I see……

Everyone did not expect that the location of the lamp and the strength of the light were so useful.

In fact, the quality of light processing directly or indirectly affects the narrative and plot display. The transformation of environmental space and time and space is shaped by the changes in light and is also achieved by the use of light in each scene.

This chapter is not finished yet, please click on the next page to continue reading the exciting content behind it! It is no exaggeration to say whether the plot rendered in a movie or TV series is real, whether it has artistic and aesthetic value, and whether it strengthens the narrative of the story. Light is a crucial factor.

It was just a close-up shot of a few seconds, and it was so fine.

Is it nitpicking?

Zhang Tiegang doesn't think so, because "Langya Bang" is a historical power drama, full of intrigue, power and favor, wits and courage, and more details are needed to reflect the emotions, emotions and character design of the character.

Sure enough... no one's success is a lucky one!

After Django entered the shooting state, he was extremely serious and very serious.

Shooting NG is constantly happening.

and.

The atmosphere on the set changed quietly.

"How is it? I said that Director Jiang has first-class directing skills, right?"

"Mr. Jiang is really delicate."

"Not bragging or blackmailing, few directors in China can reach this level."

"This won the Golden Eagle Award for Best Director of the Year, and there is nothing wrong with it."

"Okay, use snacks all, don't hold it back."

"Yes, this is a rare opportunity."

...

As one shot after another was completed, the curiosity and doubts that those who performed Django for the first time disappeared. The techniques of props, lighting, mirrors, etc. were very personal and top-level.

"Crack, let's take a picture of this today, thank you for your hard work!"

The shooting ended at 2 a.m.

Django, who had been busy all the time, didn't know that his position in everyone's hearts had risen again.

—————

The next morning, the filming of "Langya Bang" began.

Today, the main filming of Mei Changsu's scene is [Xia Jiang goes to catch Mei Changsu].

Hu Jingtian knew that this scene had very high requirements for his acting skills. He finished work last night and read the script repeatedly in order to achieve a more perfect interpretation.

The drama "Langya Bang" is actually mainly dialogue-oriented, so there are many rival scenes and it is extremely important. If it is not right, the drama will basically collapse.

When the author was writing a novel, he probably didn't expect that he would be made into a TV series, so the focus was mainly on language. Not only did the scenes be less described, but the action expressions were not even described much. After changing it to a script, although a lot of action scenes were added, the overall dialogue was still mainly focused on dialogue, especially between the two, three, and four people, and there were mostly dialogues between standing and sitting, which was a very test of the crew, especially the director and actors.

Another protagonist of this rival scene is Xia Jiang, played by veteran actor Wang Quan. In 1978, he starred in the first four famous dramas "Water Margin" adapted into a TV series. The 36 Tiangang Stars in the film and television industry did not stop Mu Hong from entering the film and television industry.

"Jingtian, Teacher Wang..." Django called the two over to talk about the drama and said, "There are only a few lines in this confrontation between Mei Changsu and Xia Jiang, and more of them are used to shape the characters through the presentation of details in terms of behavior, movement, eyes, and expression."

The two nodded, but they were actually aware of this.

"Then let's rehearse it first." Django said too much before the filming, and then adjust it after seeing the actual performance.

In the original novel, this scene starts with Mei Changsu's arrest in two chapters titled "Confrontation" (Part 1, Part 2), but the book only mentions the arrest process, while the script writes this passage for more than three minutes, and even becomes a very representative scene in the whole play.

Although it is short, it is not easy to shoot. The opponents of the two are basically silent duels in a small space. If you accidentally, you will become a PPT with a soundtrack.

Zhang Tiegang, Yu Qingqing and other actors who just joined the group yesterday were looking forward to it again. They really wanted to know how "suitable" Hu Jingtian was, which made Django willing to spend 65 million to make it.

"Come on, extras..."

...

"The track camera is slower..."

...

"Jingtian, Teacher Wang, don't be too deliberate..."

...

Django was in charge of rehearsal with a megaphone.

About half an hour later, the official shooting began.

At first, a team of fully armed Yunjing minions walked into the mirror with neat steps, neatly dressed and unified weapons, and then the necessary arrests were the gate-breaking scene. The gate opened as soon as it hit, because there was no bolt behind the door.

After the door opened, the No. 1 plane followed behind the minions of the Xuanjingsi, focusing on Hu Jingtian in the yard. He smiled quietly and stood alone in An. The quiet person formed a strong contrast with the aggressive intruders.

At this time, the second plane position was facing Wang Quan outside the door. He had a serious expression, but he was never rigid.

and.

The rivalry began from this moment.

"It is worthy of being a specially customized clothing. Although it is just a daily set of green cloth gowns, and a cloak was added. The fur collar was a little gorgeous, which highlighted the temperament of Mei Changsu's "Qilin Talent". "There are many crews with gorgeous costumes, but most of them are flashy and unreal, and have nothing to do with the character design, so it attracted Zhang Tiegang's praise.

"Ka, when the extras stand in place, don't move. Look back at the camera twice, and then put your hands on the hilt to perform a knife drawing position." Django's voice sounded again.
To be continued...