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Chapter 414: Plainness is the truth

"Have you arrived at Meimanlu?"

"immediately."

"It's okay to hurry up."

"Do you like her so much?"

"Well, her voice is mellow and comfortable, and the sad and helpless feeling in the song is only understandable."

"But today I won't sing, I just share my own story with my father."

...

Many Blueberry TV staff secretly squeezed into Studio 2, some of whom watched the first episode of "Story of Time", and some of whom watched Django.

"When the guests enter the venue later, the lights are softer, don't be too explosive, and they steal the guests' vision, mainly slow, highlighting the guests' expressions and emotions..."

Django commanded the lighting group, camera group, audio group and other personnel next to the stunt switchboard in the control room.

"The light group is ready!"

"The camera crew is ready!"

“The audio group is ready!”

...

They are all from the "Huafeng Filming Team". Even if they have never filmed with Django, they have filmed with other directors. Basically, they can understand it by just talking about it.

The program "Story of Time" is all organized by Huafeng Media and Weigo Culture, which is equivalent to borrowing Blueberry TV's venue.

Especially on the stage, Django and Zhou Lingwei spent a lot of effort.

In order to express the tranquility of the program "Story of Time" and touch the soul, there is no too much flashy in design and material use. The focus is on the quietness and high-end sense of the material. The overall design focuses on the stage texture and dominates the thinking direction. It adopts a theatre-style styling structure, and pursues a sense of ritual in terms of shape. From the texture, color, size of the columns on the stage, to the direction of each curve behind the audience, and the texture under the light, it is only to set off a literary atmosphere.

Everything is ready, and the recording continues.

In the first episode, there are three Huafeng artists, namely Gu Yao, Mei Manlu, Pei Jie, and a special guest, Django's old friend Hongyi.

"The next star who will share the story with you has been playing in the Chinese music scene for 36 years and won numerous awards. She was born in an ordinary rural family. She debuted with a nursery rhyme when she was ten years old. In her words, she has done something in her life, sang a good song, and let us welcome Mei Manlu with applause!"

The host on the stage is not Hua Shao, the head host of Blueberry TV, or other hosts, but Chu Pianpian, the vice president of Vaggo Culture.

At first, the candidates were indeed very small, one by one, but after testing, the former talked too much and always made some jokes that they thought were funny but made others ugly. The latter's hosting style was relatively plain, and most of them used their own laughter to adjust the atmosphere of the cold.

Chu Pianpian was a temporary tyrant arrested by Django. One reason was that she studied broadcasting and hosting in college, and the other reason was that she had a unique personality charm, as intellectual as a literati and as emotional as a neighbor, and was very suitable for hosting such programs.

Judging from the current recording situation, it is obvious that she is looking for the right person. She always shows a polite temperament by making full use of some details or properly handling them. Her every frown and smile is influenced by a kind heart. Her every word and action contains respect for the audience and the guests.

“The special effects in the stage performance area can be started…”

...

"The screen cut between the number 3 and number 6..."

...

"The lights where the pianist is located are bright..."

...

Django recorded the live recording in real time through the headset.

After chatting briefly with Chu Pianpian, Mei Manlu began to tell her story.

"I remember when I was a child, my home was in the countryside, and there were almost no TVs and CDs in the countryside, let alone enjoy them. So if there were theater troupes in the town to perform during festivals, people from all over the villages would rush to go there. In the open air, it was dark and spectacular. My father was still young at that time. Whenever I heard about this news, I would set up a carriage and take me, and run a few miles to join in the fun..."

At this moment, the special effects and visual design echo each other, making the overall artistic conception of the stage extend the artistic conception of the story. The rice fields, big trees, and dirt roads seem to be covered with a red coat under the dazzling sunset, which looks particularly shining and beautiful.

"When I arrived at the square, my father tied the carriage to the tree by the roadside. Because there were too many people watching, there was no good seat, so I could only stand far behind the crowd. At that time, my legs were not as high as the bench that others were sitting on. My father put me on his neck until the performance ended."

Mei Manlu's speech was powerful and clear, urgency and moderate, and contagious: "I remember once I watched the Peking Opera "Journey to the West", I fell asleep on my father's neck, and my saliva flowed all over my head. My father patted my legs and said with a smile, "Lulu! Wake up, your father has become a water curtain cave."

The story is very ordinary, but it seems to be the past that I have experienced.

"In a flash, many years passed. After having a career and making money, I went home less and less. The longest time was when I was busy outside for four years before I went home. After dinner, I said, 'Dad, there is a New Year's party in Jingshan Park, let's go and see it!' My father said to me, 'You go by myself. I am in my sixties, my eyes are blurred and my ears are not working well. I won't join in the fun with you young people. Go and have fun."

Mei Manlu's eyes were filled with tears, and she forced herself to keep it from staying: "So I made an appointment with a few friends to go together. At the beginning, a father and daughter came next to me. Because the little girl was too short, she sat down and shouted that she couldn't see it. Just like the father's actions many years ago, the father said, "No one is in your place here!", while picking up the child and putting it on his neck. At this moment, scenes of scenes with my father when I was a child appeared in my mind. My eyes suddenly became wet, and I had no intention of watching the performance again. I left my friend and went home."

Many of the 100 viewers in the audience and Blueberry TV staff around Studio 2 were stunned and remembered every bit of them and their father.

but……

There is one person who has not been involved in Meimanlu's story, that is Django, and he is now dispatching the scene: "Cable 1 and Cable 4 capture the expressions of the audience in the A-level area."

Mei Manlu's eyes were filled with tears and continued with difficulty: "I returned home, forgot to bring the key, knocked on the door, my parents had already fallen asleep, my father put on his shirt and opened the door and asked me, "Why did I come back so early? The evening party is not good?" Looking at my father's gray hair and his obviously hunched back in the light, tears suddenly surged out, and I didn't answer anything, but put the coat I held in my arms on my father's thin body."

yes.

Father’s love is like a vast ocean, allowing yourself to swim in the ocean, tolerate everything you have, and worry about your children all your life, and you will grow old without realizing it.

"The years are gone, fatherly love is like a mountain, and the years are merciful. Thank you for Mei Manlu's sharing."

Chu Pianpian controls the field.

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