Shen Congwen believes that the characters in the novel are the main ones and occupy a dominant position, while the rest of the characters are derived from them and are secondary.

The description of the environment, the author's subjective lyricism, and the discussion can only be attached to the characters and cannot be separated from them.

The author's psychology and thinking must always be close to the characters. If they are not able to stick to it, the things written will be floating, floating, slippery, and appear to be gaudy and mysterious."

Xie Mian joked: "So, Chaoyang's current level is on par with Shen Congwen's."

Several people laughed, and Lin Chaoyang waved his hand.

"Don't make fun of me, this is just my creative experience.

In fact, if you look at the rise of stream-of-consciousness literature in the Western literary world, you will find that many writers actually have this feeling.

A fundamental reason for the emergence of stream-of-consciousness literature is that many writers are no longer satisfied with traditional narrative techniques and structures.

They believe that the author's overly subjective narration in the work and the practice of inserting comments into the novel anytime and anywhere have interfered with the creation of the novel.

The characters in the book have become tools used by writers to explain and discuss, and the bizarre and tortuous plots have begun to occupy an increasingly important position in the novel. Because the author constantly interrupts the reader's immersion, he has to use this method to attract readers.

Readers' attention.

When I write novels, I have not reached the point where they say "writers quit novels", but I still try my best to use characters as narrators and reflect various forms of reality from different perspectives. I think the works produced in this way are

It might work better."

After Lin Chaoyang finished speaking his thoughts, Hong Zicheng and others looked thoughtful.

At this moment, there was sudden applause from the side. It turned out to be Li Tuo, who had been chatting with Chen Jiangong before.

"What Chaoyang said is really good. I think your creative ideas are already ahead of the vast majority of writers in our country."

Lin Chaoyang said modestly: "I'm joking, I'm not good enough at this point, I'm just picking up people's wits."

Li Tuo joked: "Don't be so humble, you have become famous again recently!"

"Haha! The literary world has paid a lot of attention to Chaoyang recently. He has already been in the limelight in the past two years. However, after being awarded the National Outstanding Short Story Award, everyone discovered that he actually has a pen name, and the quality of his works is equally good.

.”

The speaker was Hong Zicheng. He studied contemporary literature and had many opportunities to communicate with Lin Chaoyang. But like everyone else, he only learned about Lin Chaoyang through the People's Daily article reporting on the National Outstanding Short Story Award.

Another pen name thing.

"What I think is most interesting is that this kind of public opinion coverage directly drove the attention of "Qiu Ju's Lawsuit" and "Parents' Love".

Many people have been discussing these two works recently, and the People's Daily is promoting Chaoyang in disguise this time."

Xie Mian said this with a bit of ridicule in his tone, which made several people around him couldn't help but laugh.

The National Outstanding Short Story Award has always attracted a lot of attention in the domestic literary circles and readers. After the last award, many young writers became famous because of this award and attracted much attention in the literary world.

This year is the second edition of the awards, and the public's attention to the awards has only increased. As a result, the People's Daily exposed the news that Lin Chaoyang won two awards, which immediately attracted most of the public's attention and made Lin Chaoyang receive unprecedented attention.

focus on.

Not only himself, but also his works, many readers are very interested in the works behind Lin Chaoyang's double award, which has resulted in many readers rushing to read Lin Chaoyang's works recently.

The conversation lasted for a long time, always surrounding Lin Chaoyang and his works.

These teachers are the backbone of the Chinese Department of Yanda, leaders in the field of literary research in this country.

Listening to their praise and praise for Lin Chaoyang, Tao Yumo felt inexplicably proud.
Chapter completed!