"Mutton Skewers" is a story about self-employed people and inspection and law enforcement.

Chen Qi is sure that there will be no problem in this time period, because Gong Xue plays a self-employed person in "Under the Bridge", and elements such as "business license" and "market inspection" also appear in it.

"Under the Bridge" was created by the director after conducting field investigations in Shanghai.

He is a very conscientious copywriter, so he did not produce "Pepper Noodles", "Protagonist and Supporting Actors", and "Cops and Thieves", but left it to Chen Peisi and Zhu Shimao.

The two knew that Mr. Chen's creative ability was outstanding, and they happily said: "To be honest, we were worried about this. "Making a Movie" has been arranged for Director Huang, and it would not be good to bring it over again. Since you have the script, That’s the best thing.”

"You are all mature actors. Take it back to think about it and incorporate your own style into it. I won't care about you. Let's play "Making Movies" for now, and mainly make "Mutton Skewers."

"Don't worry!" "I can't let you down!"

"Then you go back first and rehearse in the small auditorium next week!" The two of them left first.

Chen Qi assigned tasks to everyone, and did what they could do first. Gong Xue continued to stay, and she also had the task of being a host, announcing the curtains for these programs, and stringing them together, so she had to be familiar with them.

Around noon, there were sounds of footsteps outside, the door creaked open, and an older voice said, "Is Comrade Chen Qi here?"

"I am!"

"Oh, it's great to meet you! My name is Zhao Lirong. You said you were going to the Spring Festival Gala and asked me to perform in a sketch?"

The old lady was wearing a not-so-old cotton-padded jacket, with a large turban on her head. As she spoke, she took off her turban, revealing a very familiar face. If anything, she is only over 50 years old now, and her hair is still there. It's quite dark.

"It's snowing heavily, are you okay on the road?"

"Okay! You said you would send a car to pick me up. I can just take the bus." "You are an old man, so you should drink some hot water."

Gong Xue poured a glass of water and handed it to her. Zhao Lirong had just sat down and stood up again: "I have a strong body. You said such a big car can fit a good person, so it would be a waste to beat me up. I am I don’t feel at ease at all.”

She is a famous Pingju opera actress. She has been singing on stage since the old society. She has never played a leading role and is famous for supporting roles. In terms of fame and dissemination of her works, she cannot compare with the two in front of her.

"Have a seat, man, there's no one around right now, why are you being abused by me?" Chen Qile said.

"You said you still want to learn how to speak like me. I can't change my accent. I talk like this in my sleep even when I'm sleeping."

"No need to change it, just the Tangshan flavor."

Chen Qi was happy when he saw the old lady and chatted for a long time. Gong Xue looked puzzled. Why was he so enthusiastic about the old lady when he just wanted to find his sister?

"Let's talk about the sketch. This program is called "A Day in the Life of a Heroic Mother"..." After enough chatting, we got down to business. He explained it over and over again and asked, "What do you think?"

"good!"

Zhao Lirong praised it without hesitation and said: "Thank you very much for asking me to come. I am willing to act!"

"Okay, your partner's name is Niu Qun, from the comrades art troupe. He can only come over in the afternoon."

Originally, "A Day in the Life of a Heroic Mother" was performed by Zhao Lirong and Hou Yaowen. Chen Qi invited Hou Yaowen, but they didn't agree. The sketch only appeared on TV last year. Who knew about sketches before? They all listened to cross talk. These days, cross talk and sketches are very different. Yes, it’s not like it was all confused later. Moreover, Hou Yaowen is on the rise in his career. Everyone knows that he is Hou Baolin’s son. He urgently needs to prove himself in the cross talk world and cannot abandon cross talk to act in sketches.

Niu Qun agreed to come for the simple reason that he was not famous yet.

"There is a guest house nearby. The rooms are ready and you can stay at any time. We are very tight on time. We will have the first rehearsal next week. Do you have any difficulties?"

"No, I promise to complete the mission!"

Zhao Lirong straightened her back and almost saluted.

"Well, there is still a short section that you need to practice. In it, you will sing a Cantonese song "The Great Wall Will Never Fall". Do you know "The Great Hero Fearless"?"

"I know, my little grandson likes it. The one he fights is called Mizong Fist, right?" "Yes, that's the one!"

"I have never spoken Cantonese, but since the organization told me, I will definitely learn it well!"

"You only need to learn two lines of the song, but you don't have to learn the whole song. After your show, real singers will perform on stage, which is a burden buried in the sketch."

After chatting, Zhao Lirong wanted to go home first and pick her up and drop her off as usual. Fortunately, there were few people here, so two vans were enough.

Gong Xue was always with him, helping him if he could, and pouring water and making meals for him if he couldn't.

This room has become a temporary command department, with no outside personnel, all Chen Qi's people. Under his overall planning, the work is carried out with maximum efficiency, and everyone has confidence in him.

In the blink of an eye, it’s time to get off work.

Liang Zuo spent a whole day catching fish in the Ministry of Education and came over excitedly.

He met Chen Qi by chance a few months ago, and started creating when he returned home, several years earlier than in history.

Originally, in 1986, Jiang Kun had no new jokes, so he went to see Liang Zuo's mother, Chen Rong, and wanted to learn from him. As a result, Liang Zuo came up with a short story "Escape from the Tiger's Mouth". Jiang Kun realized that it was a wonderful cross talk, so he wanted to I came over and processed it into "Dreams in the Tiger's Mouth".

Nowadays, Liang Zuo is even more immature and immature. He wrote a story: There was a young man in a state-owned enterprise who took over from his parents. He was lazy and did not seek to make progress. When someone introduced him to a partner, he pretended to be fat and made a big fuss. There are fewer jokes, and the shortcomings of big pot rice are also vaguely satirized, and the words are more spicy.

From Chen Qi's point of view, the writing is not bad, mainly because it can be turned into a good sketch.

"Your bright spot is all about the man, and most of the jokes revolve around him. The female character has no memory point. If you put it on the stage, it will be one-sided, and the female character will become a vase."

He gave Liang Zuo pointers without blushing, and Liang Zuo nodded frequently, as if he was willing to accept the instruction.

"The woman adds more baggage, and then adds a middleman role to mediate. The triangle is the most stable stage state, and it is easier to write. In addition, the background of young people in state-owned enterprises is a bit sensitive. You mocked the big pot rice, and the system is rigid and bloated. I don't know about it in the future. At this stage

It definitely doesn't work.

Take away the background of the work unit, he is just a lazy guy, and the name is "Lazy Man Dating"!"

"Okay, change it as you say!" Liang Zuo thought it made sense.

When organizing the Spring Festival Gala, we must consider the factors of the times. The scale of the 80s and 90s was large, but this festival has not yet been opened. This festival can satirize social phenomena, but do not satirize the system and leadership. Like Ma Ji's "Universe Brand Cigarettes", it is only satirical.

Just an unscrupulous businessman.

But it will be fine in a few years. The large scale can scare people to death, and even Tiananmen Square can be used as a burden.

In the same way, Fei Xiang can sing "Clouds of Hometown" and "365 Miles", but cannot sing "A Fire in Winter".

This year has just been severely punished, and even ballroom dancing has been arrested. How can he dance like crazy on the Spring Festival Gala and do that kind of coquettish hip twisting? Even the United Front can't do it! He was able to dance like crazy in 1987 because of dancing

The ban has been lifted and the trend is gradually opening up.

Fei Xiang will not only attend this Spring Festival Gala, it will not be too late to dance in the future.

So far, the number of language programs has increased to three: "Mutton Skewers", "A Day in the Life of a Heroic Mother" and "Lazy Man's Dating".

Naturally, Song Dandan was cast in "A Lazy Man's Dating".
Chapter completed!