Chapter 68: First Meeting with “Gnosis” (4K 2-in-1)(2/2)
Roy lowered his eyelashes to prevent himself from looking at the light of gnosis in the path of the door: "If you mind your own business less, we will be more efficient in solving internal historical problems."
"Work like investigating and liquidating those contaminated by hidden knowledge has always been what we are good at." Wasius didn't care about her accusations.
At the same time, he sighed in his heart that the ancient ritual of the Harmony School, which he didn't know where to study, was really useful. As long as he could restrain the invisible force while retaining his status as a knower, he could probably contain an 'Illusion Man' at its limit.
The main body of gnosis behind 3-5 doors is much better than the previous plans developed by the Special Patrol Office on its own.
Julius has thrown herself at the door, Sheeran is in fear, Joan is in a daze, and Roy is looking coldly at Vasius's actions. Among the people present, the only one who is relatively aloof from the incident at this moment is Fan Ning.
After appreciating the beauty of gnosis for the first time, his sense of urgency prompted him to return to intense reasoning and analysis.
In front of him was a non-existent partial piano keyboard. When Fan Ning stared at the black key above the right of the C note for a while, he suddenly realized that the name of this black key was not just "C sharp", but "C sharp".
The trigger here is not necessarily related to "moonlight".
The experience of exploring the art museum for the first time comes first, so I seem to have preconceptions?
Do and re have a whole-tone relationship. Under the equal temperament system, do sharps a semitone and re flats a semitone, which are equal pitches, so...it can also be...
"D flat"?
The non-existent Exhibition Card No. 2, and the corresponding sound sequence fragment, can also be "D flat"!?
New ideas were opened, and Fan Ning began to use his massive classical music reserves to try to think about whether there was a connection between the objects here and "D flat".
He has a personal habit: when he needs to search for works that meet certain conditions in his memory, he will first follow the memory and start from the tracks that he has come into contact with, practiced, listened to, or left a deep impression on in the past year.
Check.
Soon, he locked a piece of music in his mind and began to look again at the various statues and dolls hanging in this room.
This piece is a sketch that he played at a dinner party for country gentlemen when he was composing the First Symphony on the shores of Lake Metraun.
Chapter completed!