"Cha.Cha.Cha.Cha."

Fanning on the podium gave instructions to the rear, and the musician slammed the snow bell at the opening of the first movement.

Fine, cold, and silver.

The woodwinds play semitones and repetitive decorations, with ethereal three-degree embellishments, and the starting tone of the B minor is like a wooden sled crushing the frozen crunchy snow.

The music then changed to the official G major main tune, and the theme was gently thrown up by the horn.

The light music of several bars glided with the wind, and was quickly caught by the string group, sliding into the arms of the cello, becoming a calm and tortuous musical phrase

"The band's organization is not large in size, and it's even smaller in this era. The beginning is a bit nostalgic and classical temperament, like a beautiful and elegant watercolor painting."

"Well, the presentation department is generally an excellent romantic vocabulary! I didn't expect that Father Lavoisier can not only write retro fugues, but also write modern religious piano masterpieces that predict the future. His romantic inspiration is also like a god-inspired! It seems that the ambitions of these top figures are unified!"

Most music critics are evaluating their first impression of this symphony in their hearts.

It's true, although these people followed the new trend of San Pelto and played avant-garde music all the time, on the last day, they all got back romantic works.

Their goals are different from others, not how to stand out in new styles or how to rise higher in the ‘New Moon’

Instead, we must first find a conclusion about the "torcher" of the romantic era that is about to pass!

"But, 'Royal Kingdom'?"

Everyone was wondering about the title meaning of this symphony.

Compared with "Dream of Summer Noon" staged by Scheller, "The Kingdom of Heaven" is a completely new work that people in the world have never seen.

Its beginning sounds like a scroll: a journey away from the world, a relaxed and pleasant sunshine, and strange colors bloom in the mountains, rivers, and forests like a palette.

"The Kingdom of Heaven"

Some listeners who are capable of talking about mystery have thought a little more.

The Gods Society, which has caused panic in recent years, calls the abnormal area by those people "the kingdom of heaven"!

Could it be a coincidence?

When Father Lavois was walking in Janus, he used iron fist methods to shock the false prophets and false masters. Later, he took risks and led his team to an abnormal zone in order to relate to the "theme of God" that has been related to the church's millennium foundation.

This journey of the past and back is the core meaning recorded in the Gospel of Lavoisier!

Could it be that the "King of Heaven" Symphony is a "Record of Sees and Experiences" about San Lavoisier's travel in an unusual area? Or "Revelation"?

Music is flowing.

The original classical harmony and scenery are often filled with cold colors, making people feel like they are placed in an ice cellar.

The sudden rough buzz of the copper tube suddenly came from the band, just like suddenly looking up at the sunny sky, with a few strange dark clouds hanging in the corner.

The theme accompanied by the snow ringtone reappears, and the more distinctive violin counterpoint melody climbs upwards, gradually bringing the music into a higher level of atmosphere.

This state is unfamiliar, and most listeners feel relaxed physically and mentally, but groups with higher inspiration always feel chilled inexplicably and even creepy.

At the ending paragraph of the music, many people feel that their skin temperature is several degrees lower!

This beautiful and weird music, because it is too fascinating and too unconsciously devoted to spirituality, seems to have forgotten the body and even its own blood supply.

There are also many music critics who are resting and secretly sigh in their hearts that this year's Harvest Art Festival is really a "volume".

Ordinary masters are not enough to listen.

What god-level works are fighting each other

It’s still the kind that has been in full swing since the warm-up period before the “Seven Day Celebration”.

"Buzz-buzz-buzz-buzz-buzz-buzz-buzz-buzz-buzz-buzz-buzz-buzz-"

In the second movement, Fanning instructs the horn to blow two sets of horn-like preludes.

The melody lines in C major are a bit dull and sluggish, and then the woodpipe group shows a slow dance rhythm on the chords.

This leads to the theme of this Scherzo with a quiet temperament but a hint of strangeness.

Against the background of the band's dreamy weak music, a violin group that was raised in full tones played strange, sharp, and harsh musical phrases

The second part is a pastoral melody.

The simple lower fourth degree jumps into the upper fifth degree scale, and then continues to develop with vibrato.

It brings the meaning of leisure and leisure, like the silhouette of old time with a film background.

But everything soon became forgotten again. The copper tube with a weak sound was added, the violin hitting the strings with a bow rod, and the use of four or five degrees increased. After the frequent appearance of the outer halftone scroll ended, all kinds of weird details were magnified from the audience's memory and remained.

Residues that cannot be transferred by will.

The sound of the cello suddenly sounded, and the third movement, an almost soft and free variation.

This time the melody became beautiful and quiet.

There is the tranquility of the lullaby, and the brilliance of the stars and extreme sadness.

"Dong." "Dong."

The bass dials out the tone of the characteristic, and the lullaby's temperament shifts in the second part of the theme, bringing the potential requiem factor.

In the calm statement, it always lurks, always maintains its initial rhythm, repeatedly appearing in the bass layer.

"Ding", "Ding", "Ding"

The harp changes and repeats the characteristic tone of "Requiem", with an overtone tone with hallucinating meaning.

The rhythm gradually slowed down, as if it was entering a dream of rest again.

Fanning's slap line was repeated softly and persistently. He recalled this strange experience, the never-ending climbing legs, the white vapor that kept exhaling from his mouth, and the uneasy and bizarre emotional fragments lurking in his empty brain.

As he thought about it, he felt that the cold air seemed to have the fragrance of hawthorn flowers again, and a faint pink light curtain appeared in front of him, and the purple figure watching from afar under the projection.

The next four variations are: loneliness, rigor, and deep, touching the spirituality.

The clarinet and cello are tangled and carried more smoke-like past events, and the whimper-like oboe reappears. The large tube sobbs briefly at the low point, highlighting the characteristic syllables of the "Requiem" temperament.

The world became paler, and then the bass clarinet, the big tube and the violin jointly built a C-sum sound across three octaves.

This slow movement lasts for more than twenty minutes, but the audience feels that their perception of music has been extended to a long level, the kind of long that runs through the extreme night.

They seemed to hear the shrill cry of the cold wind, and saw the spiraling snowflakes chasing all over the sky. The steep shadows of the mountains pressed over the sky, like a fragment of celestial bodies covered with various molds.

And below, there was always a figure of a priest walking towards the dark high place step by step!

I feel fear because of depression, and I feel emotion because of fear!

The audience followed the conductor on the stage and recalled many depressed and unhappy things in their past life. This was easy to cry, but sometimes they couldn't help but smile.

This emotional separation between loss and comfort has always been like a shadow, until the music suddenly flips upward with a large six degrees—

"boom!!"

The wind music group horns ring together, the string music rolls like waves, the timpani drum hits an alert hammer, the night sky is covered with thick and dark tones and becomes clear and lively, and a pure tone overflows like light:

“re-xi-sol-re—”

“mi/re——” “mi/re——”

The clarinet repeats the light tilt sound.

After experiencing the rhythm of the song, it flows to the minor tune, and uses a strong sound mi to sink downwards at octaves, and the coolness reaches the breath!

The fourth movement, "The Kingdom of Heaven is full of violins", or the seventh level outside the sixth level of "Dream of Summer Noon", "Child Tell Me"!

Of course, the latter's connection is too secret and too profound, and it is difficult for listeners who only establish a first impression to grasp its true connection.

All their minds were attracted by the innocent and pure soprano-

“We enjoy the joy of heaven, which is very different from the world;
Chapter completed!